HOW VENEER IS MADE
There are a few different methods used to slice veneer from large
flitches (a flitch is the section of a log which is prepared for
slicing). Each method produces a different look to the veneer.
Rotary Sliced Veneer
For rotary sliced veneer, the whole log is mounted on a rotary
lathe and spun. The blade slices a continuous sheet of veneer from
around the entire circumference of the log. This is the least
wasteful, most economical method of producing veneer, but it is
generally not the method of choice where grain-matching is desired
from sheet to sheet.

Typical "erratic" grain pattern of rotary
sliced oak veneer.
Picture courtesy of veneernet.com.
Plain Sliced (or Flat Sliced) Veneer
For plain sliced veneer, the log is de-barked, cut in half and
mounted on a slicing table, which moves it into the blade taking
progessive slices out of the flitch. This method tends to produce
the common cathedral grain pattern, in consective leaves of veneer
which can be grain matched in various ways for a pleasing
appearance.
Typical "cathedral" grain pattern of
plain-sliced, flat-sliced or halfround-sliced oak veneer.
Picture courtesy of veneernet.com.
Quarter Sliced Veneer
In order to get veneer leaves with straight grain rather than
cathedraling, veneer is often quarter-sliced. The log is ripped into
four quarters which make up four separate flitches. Each flitch is
sliced in the direction shown in the photo below, which produces a
very straight grain pattern. Quater slicing also reveals figuring in
some woods that contain distinct medullary rays. This method will
produce the "flaking" or "ribbon" effect common to oak, and the
curly effect in many species of wood.
Typical straight grain pattern (with
"ribbons") of quarter sliced oak veneer.
Picture courtesy of veneernet.com.
Rift Sliced Veneer
Rift-slicing is done on quartered flitches, like quarter-slicing.
The difference is that the quarters are turned in a lathe to produce
an approximate 15 degree cut. The purpose of this is to minimize the
"flake" appearance which is common to quarter-sliced oak due to
medullary rays. (Personally, I like the ribbons.)
Typical straight grain pattern (without
"ribbons") of rift sliced oak veneer.
Picture courtesy of veneernet.com.
Half-Round Sliced Veneer
Finally, the half-round slicing method is similar to the
plain-sliced. The difference is that the log-half flitch is sliced
in a cresent pattern, which produces an appearance similar to
plain-slicing, but increases the width of the veneer leaves.

Picture courtesy of veneernet.com.
TIGHT SIDE AND LOOSE SIDE
There are two faces to each sheet of veneer, and on each sheet
one face will be the "loose" side, and the other will be the "tight"
side.
When you bend a sheet of veneer with the grain, it will bend
further and more easily on the loose side than on the tight side.
The difference between each side is caused by the action of the
veneer slicing blade upon the cells of the wood. The blade tends to
open up and tear the cells on the loose side, while closing and
compressing the cells on the tight side.
Veneer tends to absorb stain and retain more pigments on the
loose side than on the tight side. A bookmatched veneer panel will
consist of veneers showing tight side up and veneers showing loose
side up, so portions of bookmatched panels tend to stain up darker
than other portions.
What causes a tight side and loose side on veneer?
In the picture at right, the blade is seen slicing a rotary cut
veneer. As the sheet peels away, the outside curls up and the cells
on that side are compressed. The inside face curls out, and the
blade tears at the cells while the motion away from the log or
flitch causes the cells to open up and become loose.
CELL POLARIZATION
In addition to the difference in appearance of tight and loose
sides of veneer, there is often a polarization of the cells that
becomes apparent when wood is viewed from different angles. From one
angle, it will appear dark, from the opposite angle, it will appear
light. With bookmatched veneer panels, as in the image at left, one
side of the bookmatch will often reflect light differently from the
other side, again causing a light/dark contrast due to polarization
of the cells.
Sound
complicated? It's really not. This
page from veneernet.com has a picture that can help you
understand cell polarization in veneer. You can also reach that page
by clicking on any one of the three photos above.
©2008
Compton Lumber Co., Inc.
Seattle, Washington USA
E-mail comments or questions to: Steve Compton
For Sales or Product information contact: Mike Matheny